芳盛 / 東海道名所風景 草津
SKU： C30097-14-4
価格
¥25,000
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作品
年代 : 文久3年
サイズ : 大判
刷 : 優良
保存 : 良
詳細 : 0
ディレクターコメント
芳盛は国芳の門人で幼少時より国芳の門に入り、国芳の画風によく倣った武者絵、時局絵、花鳥画などを描いた。「ゑぎりす人の図」、「五ヶ国」、「港崎横浜一覧」などの横浜絵の作品があるが、「東都名所」その他において江戸市中遊覧の外国人を描いた作品は珍しい。ほかに合作の「御上洛東海道」や「末広五十三次」にも参加した。後に光斎と号して作品を手がけている。明治以降、一時は内務省に十三等官吏として勤務もした。
作品ページの見方とご購入ガイド
Information
Date: 1863
Size: O-ban
Impression: Very good
Condition: Good
Detail: 0
Yoshimori was a disciple of Kuniyoshi, having joined his school at a young age. He closely followed Kuniyoshi's artistic style, producing warrior prints, contemporary event prints, and bird-and-flower paintings. His works include "Illustration of an Englishman", "Five Nations" , and "Panoramic View of Yokohama at Minatozaki" , which are categorized as "Yokohama-e" . However, his depictions of foreign visitors sightseeing in Edo, such as those found in "Famous Places in the Eastern Capital" and other works, are considered rare. He also contributed to collaborative projects such as "The Imperial Procession on the Tōkaidō" and "The Fifty-Three Stations of the Fan". Later, he adopted the name Kōsai and continued his artistic pursuits. During the Meiji period, he temporarily worked as a lower-ranking government official at the Ministry of Home Affairs.
Shopping Guide & Information
Cell phone users can view enlarged images by double-tapping on the image.
作品
年代 : 文久3年
サイズ : 大判
刷 : 優良
保存 : 良
詳細 : 0
ディレクターコメント
芳盛は国芳の門人で幼少時より国芳の門に入り、国芳の画風によく倣った武者絵、時局絵、花鳥画などを描いた。「ゑぎりす人の図」、「五ヶ国」、「港崎横浜一覧」などの横浜絵の作品があるが、「東都名所」その他において江戸市中遊覧の外国人を描いた作品は珍しい。ほかに合作の「御上洛東海道」や「末広五十三次」にも参加した。後に光斎と号して作品を手がけている。明治以降、一時は内務省に十三等官吏として勤務もした。
作品ページの見方とご購入ガイド
Information
Date: 1863
Size: O-ban
Impression: Very good
Condition: Good
Detail: 0
Yoshimori was a disciple of Kuniyoshi, having joined his school at a young age. He closely followed Kuniyoshi's artistic style, producing warrior prints, contemporary event prints, and bird-and-flower paintings. His works include "Illustration of an Englishman", "Five Nations" , and "Panoramic View of Yokohama at Minatozaki" , which are categorized as "Yokohama-e" . However, his depictions of foreign visitors sightseeing in Edo, such as those found in "Famous Places in the Eastern Capital" and other works, are considered rare. He also contributed to collaborative projects such as "The Imperial Procession on the Tōkaidō" and "The Fifty-Three Stations of the Fan". Later, he adopted the name Kōsai and continued his artistic pursuits. During the Meiji period, he temporarily worked as a lower-ranking government official at the Ministry of Home Affairs.
Shopping Guide & Information
