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KITANO Tsunetomi

KITANO Tsunetomi was a Japanese-style painter and print artist who was active from the late Meiji period through the early Showa era, working primarily in Osaka. He was often described as a “stormy petrel of the art world.” Rising to prominence through government-sponsored exhibitions, he became, during the Taisho period, a master of modern beauty, frequently spoken of in parallel as “Kaburaki Kiyokata in the East, KITANO Tsunetomi in the West.”

His portrayals of beautiful women clearly set themselves apart from the Edo-period elegance and gentle femininity seen in Kiyokata’s work. Instead, KITANO’s bijin-ga are marked by an alluring, sometimes decadent quality that seems to probe deeply into human emotion and inner passion. In the early Taisho years, he even came to be labeled part of the so-called “Devil School,” as he produced sensational works that powerfully emphasized the intensity and emotional force of women, causing a profound impact on the art world of the time.

In the field of printmaking, he was also involved in the early stages of the shin-hanga movement and left behind masterpieces that represent the Taisho era. Works such as the celebrated Heron Maiden are known as outstanding achievements, expressing the loneliness and beauty of a woman standing in falling snow through an exceptional sense of color and refined printing techniques.

Through the motif of the female figure, Tsunetomi consistently explored the conflicts and vitality of human life in the modern age.
KITANO Tsunetomi