Search by artist
- A・B・C・D
- Buncho
- E・F・G・H
- Eiri Eisen Eishi Eizan Gakutei Harunob Harunobu Hirokage Hiroshige HiroshigeⅡ Hokujyu Hokusai
- I・J・K・L
- KITAO Shigemasa Kiyomine Kiyonaga Koryusai Kuniaki KuniakiⅡ Kunifuku Kunimaro Kunimaru Kunimasa Kuninaga Kuninao Kunisada KunisadaⅡ Kunisato Kuniteru Kunitsuna Kuniyasu Kuniyoshi
Search by artist
- A・B・C・D
- Asataka Biho Chikanobu Chikashige
- I・J・K・L
- Ikkei Keishu Kikusen Kiyochika Kiyokata Kogyo Kokunimasa Konobu (SadanobuⅡ) Koso Koson Koto Koun Kunichika KunimasaⅣ・Kochoro・Hosai KuninaoⅡ KuniteruⅡ KuniteruⅢ Kunitoshi Kyosai Kyosui
- M・N・O・P
- Nobukazu
- Q・R・S・T
- Ryuson Seitei Sessai Shigehiro Shoso Shoun Shuko Shunsen Shuntei TERASAKI Kogyo Tomoto Toshihide Toshikata Toshikazu Toshimine Toshinobu Toyonobu
- U・V・W・X・Y・Z
- Unknown Unsigned Yasuji（Tankei） Yoshiiku Yoshikuni2 Yoshitoshi Zeshin
Search by artist
- A・B・C・D
- BANNAI Kokan Charles W.Bartlett
- I・J・K・L
- IDE Gakusui INUZUKA Taisui ISHIKAWA Toraji ISHIWATA Koitsu ITO Shinsui ITO Sozan ITO Takashi KASAMATSU Shiro KAWARAZAKI Shodo KAWASE Hasui KITANO Tsunetomi KOBAYAKAWA Kiyoshi KOMURA Settai
Search by artist
- A・B・C・D
- AZECHI Umetaro
- E・F・G・H
- HIRATSUKA Unichi
- I・J・K・L
- ISHII Tsuruzo KATSUHIRA Tokushi KAWAKAMI Sumio KAWANISHI Hide KIMURA Shohachi KITAOKA Fumio KOIZUMI Kishio
- U・V・W・X・Y・Z
- YAMAGISHI Kazue YAMAMOTO Kanae
Search by artist
- A・B・C・D
- E・F・G・H
- FUJITA Tsuguharu FUNAKOSHI Katsura HAMADA Chimei HAMAGUCHI Yozo HASEGAWA Kiyoshi HOSHI Joichi
- M・N・O・P
- MINAMI Keiko MUNAKATA Shiko Maurits Escher
- U・V・W・X・Y・Z
- YAMATAKA Noboru
Search by artist
- A・B・C・D
- E・F・G・H
- HAMANO Emi HANO Kanami
- I・J・K・L
- ICHIKAWA Shiori KIM Jihye KOHCHI Takumi
- M・N・O・P
- NAKAMURA Miho
- U・V・W・X・Y・Z
- UKIYO-E PROJECT YAMADA Momoko YAMAJI Naoki YAMANAKA Gen
Kiyokata / Reviving the Soul
SKU： C30184-7-5
スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。
Cell phone users can view enlarged images by double-tapping on the image.
作品
年代 : 明治36年
サイズ : 口絵
刷 : 良
保存 : 良
詳細 : 少汚れ
ディレクターコメント
清方は年方の門下で、十代にしてすでにプロの挿絵画家として活躍していた。青年期に泉鏡花と知り合い、その挿絵を描いたことや、幼少時の環境の影響もあり、終生江戸情緒及び浮世絵の美とは離れることがなかった。
肉筆作品にも力を注ぎ、日本を代表する美人画家のひとりに数えられる。
作品ページの見方とご購入ガイド
Information
Date: 1903
Size: Kuchi-e
Impression: Good
Condition: Good
Detail: Slight browning
Kaburaki Kiyokata was a pupil of Mizuno Toshikata, and by his teenage years, he was already active as a professional illustrator.
In his youth, he became acquainted with Izumi Kyōka and produced illustrations for his works. Influenced by this relationship and by his own childhood environment, Kiyokata remained deeply connected throughout his life to Edo sensibilities and the aesthetic ideals of ukiyo-e.
He also devoted himself to original paintings (nikuhitsu-ga) and is regarded as one of Japan’s foremost painters of bijin-ga.
Shopping Guide & Information
Cell phone users can view enlarged images by double-tapping on the image.
作品
年代 : 明治36年
サイズ : 口絵
刷 : 良
保存 : 良
詳細 : 少汚れ
ディレクターコメント
清方は年方の門下で、十代にしてすでにプロの挿絵画家として活躍していた。青年期に泉鏡花と知り合い、その挿絵を描いたことや、幼少時の環境の影響もあり、終生江戸情緒及び浮世絵の美とは離れることがなかった。
肉筆作品にも力を注ぎ、日本を代表する美人画家のひとりに数えられる。
作品ページの見方とご購入ガイド
Information
Date: 1903
Size: Kuchi-e
Impression: Good
Condition: Good
Detail: Slight browning
Kaburaki Kiyokata was a pupil of Mizuno Toshikata, and by his teenage years, he was already active as a professional illustrator.
In his youth, he became acquainted with Izumi Kyōka and produced illustrations for his works. Influenced by this relationship and by his own childhood environment, Kiyokata remained deeply connected throughout his life to Edo sensibilities and the aesthetic ideals of ukiyo-e.
He also devoted himself to original paintings (nikuhitsu-ga) and is regarded as one of Japan’s foremost painters of bijin-ga.
Shopping Guide & Information
Recently watched Work
